He was first approached to curate a show that featured Latinx artists, but he quickly pivoted when he considered whether that term truly resonated with what he was trying to say. “Is Miami the Caribbean?” asks this show curated by Danny Baez. Yet it Feels Like it, Oolite Arts, until 11 December W.L.īony Ramirez, Maria (2022) is on view at Oolite Arts in the group show Miami is Not the Caribbean. Others explore untapped natural resources, such as manganese nodules, rich deep-sea mineral sources whose proposed mining is a subject of great controversy. Some of the works explore natural rhythms that occur at sublime scales, such as Rossby waves, which undulate for hundreds of miles across the open ocean. In this show, Sabur, whose practice spans video, performance, sculpture, painting and more-her ideas “move fluidly between vessels”, as she puts it-explores these concepts through a number of mixed-media paintings and silkscreen works, as well as a video installation. Jamilah Sabur: The Harvesters, The Bass, Miami Beach, until 30 April 2023Ī solo exhibition at the Bass of the interdisciplinary Jamaica-born, Brussels-based artist Jamilah Sabur continues her exploration of mineral extraction as a metaphor for the global disregard of our oneness with nature, and for the propensity of wealthy nations to opt for short-sighted gains that run counter to the wellbeing of our planet and communities. Photo: Zaire Aranguren courtesy of The Bass G.A.Įltanin (manganese nodules) (2022) is from a series by Jamilah Sabur based on archival photos from a 1960s deep-sea mission. Several other works also have an activist bent. The installation The Room (2006-18)-which was commissioned for a comprehensive survey at the Mori Art Museum in Tokyo in 2017-shows the same room filmed from 25 different angles, critiquing government surveillance. The show spans three decades of Erlich’s career, featuring 16 works installed throughout the museum that transform the galleries into various familiar but surreal environments, from a classroom and a laundromat to windows that offer voyeuristic views into other worlds. The artist, who represented Argentina in the 2001 Venice Biennale, is best-known for his immersive installations that create optical illusions, such as Swimming Pool (1999), a work in which viewers can see and photograph others submerged “underwater” via a transparent glass pane. The Pérez Art Museum Miami (PAMM) has organised the first stateside survey devoted to the conceptual Argentine artist Leandro Erlich. Leandro Erlich: Liminal, Pérez Art Museum Miami, until 4 September 2023
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